'abstracted geographies' 2

Derry-Tm-Tm-Tm

A pair of animated illuminated panels to be installed in a new hospital. They illustrate the area served by the hospital. The panel is made with perspex rods which pixelate the printed image behind. Automated LED lights further animate the work. This proposal is the product of collaboration with a product designer, interactive audio artist and graphic designer, members of Sparks partnership. We're now fabricating the panels, which will installed in November 2008.

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city forest

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Simplified tree forms fabricated in brushed stainless steel.

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As leaves moving in the breeze, and mediating the always shifting day-light the canopy of each tree is a shimmering brilliance of thousands of light reflecting discs.

Inspired by the shimmering signs seen outside theatres in the west end. Requiring no power source, moved by the breeze the reflective discs will be animated by the both day-light and passing vehicle lights at night.

[Responding to a brief for a site in SW8, London. Short-listed to final four]

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the penguin and the polar bear

Polar Bear Ecto
Early one morning Kester sent me a story he'd written, inviting me to illustrate it, and so I have. This is from the first image.

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oasis

200806112332

Enliven a sparce, over-looked but inaccessible, hard-landscaped central courtyard within a new apartment complex. Evoking the idea of the courtyard as a lush oasis, by 'planting' blown glass blooms. With stems that quiver gently in the breeze, the coloured glass is animated by shifts in the light, so providing continued interest to the buildings residents.

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'light of the world'

Axis 1

Church Mission Society is an organisation currently supporting 900 people in mission in 26 countries across the world. I was commissioned to create a sculpture to be installed outside the new CMS House in South East Oxford.

The sculpture communicates the organisation’s mission to visitors and is a landmark for the local area.


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The sculpture is 2.5m high, in bronze and glass. It is formed with three elements, three rings. The piece speaks of 'interchange', with connotations of movements and global interconnectedness; you can pass through the middle (crossing barriers); the glass mediates the light (of the world) and its texture and colour mean it's different when you look at it from different angles / places / cultural perspectives.

The inner ring, from the words of Matthew 28:19 reads 'As you go, make disciples of all peoples' This is the core, a kind of 'missional dna' that unites CMS and its partners. The writing in the outer ring reads 'light of the world' written in the over 60 languages from across the world, as an expression of the world wide local mission work of CMS.

The glass interacts with the surrounding natural / artificial ambient light, so the sculpture transforms itself with the passage of time; the ebb and flow of light and colour provides appeal for the casual passerby and reward for the perceptive and familiar visitor.

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Prayer Room: Church Mission Society, Oxford

My intention was to create a space set apart, a peaceful place where individuals and small groups could gather for quiet prayer and reflection. This project was completed in June 2007

Ecto Prayer2
Image: Gavin Jackson, Arcaid

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'light of the world' continuim: Church Mission Society

The building has a large glazed entrance and canteen area. A vinyl manifest was required, to be used in this area and in other areas of the building. I saw this as an opportunity to continue the message written on the outer ring of the bronze and glass sculpture. So here, in more than sixty languages 'light of the world' is written, in cut out translucent vinyl.

Ecto Manifest
Image: Gavin Jackson, Arcaid

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for woodsyre- update

Saga_grand_designs

'for woodsyre' As featured in Grand Designs Magazine, May 2007.

I really should have taken some better shots, that show the wonderful qualities of the glass used to make these panels, the crisp ordered form is tempered with the irregular edges and sumptuous that can only be created by mouth blowing sheet glass.
I'm fond of watching the colours as the daylight dims, and the evening closes in, for that reason alone, a dinner invite is always most welcome...!

'abstracted geographies'

Derryinsitu
Commission Proposal: A suspended sculpture within a three storey atrium of a new hospital.
Derrymaps-1
The colour and shape of the clusters are derived from topography and settlements in the area served by the hospital.
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The proposed installation consists of between 200-300 hand blown glass and glazed ceramic forms. The forms illuminate and fade, reacting to the presence of people in the space, and the patterns of natural daylight.

This proposal is the product of collaboration with a product designer, interactive audio artist and graphic designer; members of
Sparks, a multi-discipinary partnership. Our submission for this £50,000 public art commission, was short-listed to the final two.

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after woodsyre: other folds

Limeblueturquoise
'lime, indigo, smoke grey, turquoise' three views of one piece.

Following the successful installation at Woodsyre, I've begun modeling alternative folds. Over the coming months I'll look to realise some for exhibition purposes.

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for Woodsyre

Woodsyre4Sq

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Commissioned to design and manufacture a bespoke illuminated glass panel for the kitchen of a 1960's terrace house in South East London. It was my intention to create a piece that would complement and enhance the recent architect designed interior refurbishment scheme, whilst providing the family and their visitors with an ever varying composition; as an individual moves around the kitchen and dining area their view of the irregular concertina alters, this coupled with the sensitive integral illumination and changing ambient lighting conditions lends itself to becoming a lasting source of interest.


The overall panel, formed with with sheet glass in two colours is essentially simple, yet inevitably sumptuous due to the intrinsic qualities of the
glass.

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'motto'

Hampshireecto
Commission proposal for a Hampshire school. This vibrant frieze that proclaims the school motto. A motto represents a schools philosophy and reflects its mission statement; In addition it should be something that can have personal of meaning for each of child and member of staff.

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'hex-cells'

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'and the love made him cry'

And The Love

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'central decontamination unit'

Belfastecto-3

Commission proposal for the entrance to the central decontamination unit of a city hospital.

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'this way'

Arrowsecto-1

This design is composed with arrows photographed in the urban realm; arrows seen in tube stations, office buildings, shops and streetscape.

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'in the woods'

Forestecto

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'at jack's'

Vinesecto

Vivid and dynamic imagery creates a striking street-side entrance and a warm and welcoming communal stairwell.

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'process'

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'the other'

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The words of RS Thomas

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Illuminated Corporate Identity Sculpture

Up Signecto
Illuminated Corporate Identity Sculpture, Urban Practitioners, London
June 2005


Design and manufacture of a bespoke corporate identity sculpture for the reception area of a rapidly growing consultancy practice. The piece is designed to communicate the practice’s corporate ethos, to create an inviting and welcoming reception area, and to be portable, to respond to the changing context of a growing firm. I commissioned and managed a metal fabricator to create the base for the piece. The piece has been installed.

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'without map, we journey'

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'It's the duality, the ambivalence between nowhere and somewhere that gives the state of 'being lost' its frisson of excitement, for we quickly understand that within it we can trace links to great moments of 'becoming', of transitions and of perception.' Dava Sobel, 'Longitude' 1995

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Illuminated Altar, St Peter’s Church Vauxhall

Vauxaltarecto

Design and manufacture of a bespoke illuminated altar for a church in south London. The design of the altar includes an illuminated map of London, evoking the congregation’s theological aspiration to place the city at the heart of its worship.

I commissioned and managed the work of a carpenter and signwriter to complete the piece, March 2005

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'tri arrrow'

Triarrowecto-1
mosaic tiles
for subways
in different colours
in different tunnels

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'hex'

Hexagonecto


Working with honeycomb a basic building block in nature; to create a rich and creative repeatable design.

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'in the connections we cannot make'

The basis of the design is to promote the idea that we, though messy chaotic humans, engage daily with each-other, with the other, with the Other; that we come from one source and are intimately and permanently woven together.
Sometimes referred to as the ‘flower of life’ the formal geometric pattern on which this design is based is an ancient and universal sacred symbol of unity wholeness and infinity.

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The colours used in this design are representative of truth, and purity, innocence and holiness. With a surface that is rich and varied, and circles that are unique, some incomplete, or with irregular and blotted edges the design acknowledges, accepts, the imperfections of human relationships and understanding.

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'jungle'

Jungleecto

Suggestive of the exotic jungle, where a spread of sumptuous bronze foliage creates a twilight dim.

Designed with a dark interior, such as cocktail lounge bar, in mind.

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'thin blue line'

Thinbluelineecto

With a ‘thin blue line’ tracing the path of the river Thames, this would be a fitting design for the headquarters of the Metropolitan Police's Marine Support Unit.

The linear shape is easily recognizable to Londoners (even if only for by being featured three times a week in the opening sequence of the soap opera ‘Eastenders’) and the thin blue lines refer to the phrase that describes the police as the final barrier which stands between citizens and chaos.

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'all seeing all powerful'

Allseeingecto

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'by the river'

Bytheriverecto
This design is for a multi storey building, perhaps to be installed in a stairwell or an entrance atrium.


The composition was produced photographically, the slender bands of colour deep blues, deep to spring green and corn yellow combine to suggest the view across the river.

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'remembering the Indian summer'

Indiansummerecto

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'guiding light'

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Commissioned by the United Reformed Church, New Malden to celebrate the new millennium.

The windows are intended to be a meditative focus, the hand drawn circles used to form the design suggest cell growth & diversity.
They reflect two concerns that were current as we entered the millennium. The completion of the Human Genome Project enables scientists to map DNA in humans, leading us to consider how this new knowledge should be used.
Another concern commonly expressed in the year 2000 was an appreciation of human diversity, reflected in a Britain that has become culturally diverse. That each cell differs from each other celebrates & affirms the uniqueness of every person created by God.

The windows of the church are intended to remind visitors that Christians are the body of Christ and to remind regular church goers to shine as beacons and be guiding lights. At night when the church is lit internally the simplistic cross designs are clearly visible to the passing public. These windows are contemporary whilst being sympathetic to the traditional architecture and existing stained glass of this church. The choice of colour comes from the existing windows, whilst technical advances now make it possible to avoid breaking up the design with lead lines. The use of the circle in a grid formation offers contemporary harmony with the regular rectangular divisions of the other windows. The resulting windows are technically and aesthetically of their time yet also complement the existing windows and fabric of the building.

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'prayer'

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'white cube'

Whitecubeecto

Designed to glow softly on evenings when you're likely to forget to turn the lights off... For bedside warming and living room woo-ing.

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SuperGraphic: 'green cross'

Greencrossecto


A symbol identified with medical care, used here as a ‘super graphic’ to identify the entrance to a neighbourhood health centre. In this way artwork and graphic communication are combined, so embellishing and communicating the use of the building.

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Guiding Line: Between Places

Line Bpecto

Piercing the wall, these hand blown glass elements arouse curiosity and our delight in sensual richness. With variations in the wall thickness and depth of colour the interiors of these forms are not standardised.

By peering into the 'porthole' you are offered glimpses into an otherwise hidden room. The thick optically polished opening transmits the light, and is animated by changes in the ambient lighting conditions.

Whilst the rounded forms of the other side offer a different visual and tactile experience.

These turquoise components might be an ideal guide towards a swimming pool, the varying colours and the distortion created within the glass are evocative of the view into rippling water.

Temporary installation, London, 2004
Shortlisted for the Helen Hamlyn 'Award for our future selves' 2004

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'stack'

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The stacked compositions are discrete non-functional forms, sculptural pieces; that explore colour, form and visual balance. Hand mould blown glass components, cold worked then fixed together.

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As exhibited at the Royal College of Art Show One, 2004.

Illuminated from behind, and installed on floating glass shelves the viewer is encouraged to read the composition as a whole, and as a series of four columns, as well as eleven individual units. It was my intention that the irregular spacing within the column encourages the viewer to see it as a whole line.

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'light up'

Illuobjects1Ecto


Developed as a vehicle to capture intriguing aspects of colour and glass these illuminated objects, with their transparent, intensely coloured glass and clean edged, thick wall geometric overlapping forms, create not only striking colour combinations but also third colours, as the viewer moves around the object the colours seen will alter, so rewarding the observant viewer with the opportunity to play.

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'as one' gold ruby

Goldrubyecto
By controlling and manipulating the glass when hot, it was possible to create a thick walled form with an inner wall that distorts the intensity of the translucent colour. The opening was then cut and highly polished.

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'as one' steel blue

Steelblueecto
By controlling and manipulating the glass when hot, it was possible to create a thick walled form with an inner wall that distorts the intensity of the translucent colour. The opening was then cut and highly polished.

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'magpies and plum flowers'

Magpiesecto

This design is inspired by the paper-cutting, a traditional Chinese craft. It features magpies and plum flowers: the bird of joy with the flowers of springtime.


Designed with a dark interior, such as cocktail lounge bar, in mind: Orientalism spells luxury and mystery, a refuge from grim reality.

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Guiding Line: Dancing Spots

Line Ds2Ecto

These blown glass lighting components are to be fitted into the walls and floor, creating an illuminated guiding line.

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'shimmering and glorious'

Archecto
This arch in golden hues is formed with free gestural marks that are suggestive of tongues of flame. It is a shimmering and glorious expression of the anointing energy of the Holy Spirit.


An invigorating and inspiring emblem for the entrance to a city centre church.

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Guiding Line: Little Rectangles

Line Lrecto

The notion of the line being drawn through a space to give direction is a simple one. In parks we follow pebbled pathways; and in darkness, we follow illuminated street lamps.

The hand blown then kiln formed glass rectangular components are inserted into wall and floor surfaces, creating an illuminated guiding line.

Exhibited Edinburgh and London, 2001

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Guide: Ball Wall

Ball2Ecto-1

Process
Made by hand in the glass hot shop by overlaying fine layers of coloured glass powder between layers of clear glass: it is possible to vary the colours and size of the 'gobstoppers'.

These are then added during the direct casting of the glass blocks, making no two blocks identical. The delicate variations within the blocks makes them particularly suitable for areas where passers by are in close proximity.


The surface of the 12cm x 20cm blocks are a fine matt finish, which creates a soft translucency, allowing light, though not view, into the interior.

0.5m x 3m Temporary Installation, Edinburgh, 2001

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'bristo boys'

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A series of glass panels translating light pen drawings from a summer where hopes and dreams were played out with ply and urethane on concrete and granite.

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Western General Hospital Entrance

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This proposal for a twelve metre glass panel would contribute to the calming, welcoming atmosphere of the main entrance and waiting area; an area of the hospital is one that people of all ages and from all walks of life will pass through whilst visiting the hospital, both as patients and as the relatives and friends of those receiving treatment.

The portraits included in the panel were drawn whilst in cafes and bars, and convey relaxed and calm body language, characteristics intended to be a source of calm for the visitors to the hospital.


An award winning competition entry, 2001


A panel measuring 1.2m x 0.6m was commissioned and installed at Western General Hospital, Edinburgh in March 2001

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'coffee cups and ink pots'

Coffeecupsecto

A glass wall to separate the education space and the café within a city art centre. Based on the marks left by coffee cups and ink pots, a reference to the different types of users of the space, the design also captures the idea of pixels, a reference to the shift in the type of material collected by the gallery, which includes video works.


Worshipful Company of Glaziers', Steven's Competition Entry 2001

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'for a new scottish parliament'

Nspecto

Celebrating the creation of a Scottish Parliament 1999. Following the 1997 referendum Scottish people overwhelmingly and unambiguously voted in favour for the creation of a Scottish parliament.

The Saltire has been the national emblem of Scotland since the 14th century and is a key symbol of Scottish identity. According to legend white clouds in the form of Saltire appeared in a blue sky during the battle of Nechtansmere, urging the Scots to victory.

This design captures the nature of this historic event. The abstraction of this emblem gives it new energy. It suggests dynamic new guide whilst remaining easily recognisable form steeped in history.

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'quite be still...

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then the wind died down and it was completely calm.'

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